Sound Ideas is a company that produces commercially-available sound effect libraries and production music libraries. It was founded in 1978 by Brian Nimens, and is headquartered in Richmond Hill, Ontario, Canada. It is one of the most popular stock audio library brands, alongside The Hollywood Edge (whose libraries Sound Ideas acquired for distribution after The Hollywood Edge filed for bankruptcy in 2014.)
Despite their famous shows, Hanna-Barbera was also hugely known for their large library of sound effects. This sound effects library features a collection of the most famous sound effects from Hanna-Barbera's animated series (such as ricochets, slide whistles, etc.). They also had familiar sounds used for transportation, household items and more. Not all of the sounds have originated from H-B, though, as some of them originated from other companies (like Walt Disney Studios, Universal Pictures, MGM, Warner Bros.) before H-B acquired them to its library.
Sound Ideas – The Radioactive Sci Fi Sound Effects Series WAV
Some of their famous sound effects included a rapid bongo drum take used for when a character's feet were scrambling before taking off, a zing-out whistle used for when Fred Flintstone would throw a bowling ball, a "KaBONG" sound produced on a guitar for when Quick Draw McGraw, in his Zorro-style "El Kabong" crime fighting guise, would smash a guitar over a villain's head, the sound of a car's brake drum combined with a bulb horn for when Fred Flintstone would drop his bowling ball onto his foot, an automobile's tires squealing with a "skipping" effect added for when someone would slide to a sudden stop, a bass-drum-and-cymbal combination called the "Boom Crash" for when someone would fall down or smack into an object, a xylophone being struck rapidly on the same note for a tip-toeing effect, and a violin being plucked with the tuning pegs being raised to simulate something like pulling out a cat's whisker.
Starting in the 1960s, other animation studios began using the sound effects, most notably Warner Bros. Animation since their cartoons resembled the early 1960s H-B productions, as well as their offshoots/rivals such as Ruby-Spears, Filmation, DiC Entertainment, Film Roman and Chuck Jones Enterprises using them a lot, with some others such as Nickelodeon Animation Studio, Walt Disney Television Animation, Hasbro, and many others. After the success of Wacky Races in Japan and a few collaborations with Toei Animation, several major anime studios adapted to using the sound effects.
By the 90s, almost every animation studio was using the sound effects. Some shows used them sparingly, while some cartoons and non-animated shows such as Nelvana's The Magic School Bus, Spumco's Ren & Stimpy, Warner Bros. Animation's Krypto the Superdog, Turner Feature's Cats Don't Dance, J.C.Staff's PaRappa the Rapper: The Animation, as well as some video games such as Nintendo's Mario vs. Donkey Kong and Paper Mario series, Naughty Dog's Crash Bandicoot Trilogy for the Sony PlayStation, the Humongous Entertainment titles, and The Learning Company's Kid Pix series all make heavy use of the classic sound effects, mostly for a retro feel. Some Hanna-Barbera sounds show up in various sound libraries such as Valentino (i.e. their 1987 50-CD library) and Soundstorm.
Hanna-Barbera Records (the studio's short-lived record division) released an LP album for radio stations to use in 1965 entitled Hanna-Barbera's Drop-Ins, which contained quite a few of the classic sound effects, along with dialogue samples from their "Cartoon Series" albums. In 1973, and again in 1986, Hanna-Barbera released a second sound effect record set, a seven-LP set entitled The Hanna-Barbera Library of Sounds, which, like the previous set, contained several of the classic sound effects. Like the previous set, this was only available to production companies and radio/TV stations. The 1986 version was also available as a two compact-disc set.
In 1993, the last president of the studio, Fred Seibert recalled his early production experiences with early LP releases of the studio's effects, and commissioned Sound Ideas to release a four-CD set entitled The Hanna-Barbera Sound FX Library, featuring nearly all of the original H-B sound effects used from 1957 to 1992, a more vast collection compared to the early LP releases (including the sounds H-B had borrowed from other studios). The sound effects were digitally remastered so they would sound better on new digital soundtracks. A fifth CD was added in 1996, entitled Hanna-Barbera Lost Treasures, and featured more sound effects, including sounds from Space Ghost and The Impossibles. Also in 1996, more of the sound effects were available on the Turner Entertainment Co. Sound Effects Library.
Also in 1994, Rhino Records released a CD containing some of Hanna-Barbera's famous sound effects, titled simply as Hanna-Barbera Cartoon Sound FX, and also included some answering-machine messages and birthday greetings and short stories starring Hanna-Barbera characters, and was hosted by Fred Flintstone. In 1996, it was reissued with the Pic-A-Nic Basket of Cartoon Classics CD set, which also contained three other CDs of Hanna-Barbera television themes, background music, and songs from The Flintstones. Here, the CD was relabeled as The Greatest Cartoon Sound Effects Ever.
In the 1980s, Hanna-Barbera slowly began to cease using their trademark sound effects. This was especially true with the action cartoons of the time, such as Sky Commanders. By the 1990s, the sound effects were sometimes nonexistent, being replaced with newer, digitally recorded sounds (mostly from The Premiere Edition Volume 1, and The General Series 6000 Sound Effects Library), along with the Warner Bros. Sound Effects Library. A few early 1990s cartoons continued to use the sounds, such as Tom & Jerry Kids and The Addams Family. This largely attributes to Hanna-Barbera beginning to outsource their post-production audio services to outside companies, such as Three Rivers Editorial, Twenty-First Century Entertainment, Advantage Audio, Horta Editorial & Sound/Hacienda Post, Salami Studios, Skywalker Sound, and others.
Several of the classic Hanna-Barbera sound effects still pop up from time to time in some of Cartoon Network Studios' productions, and even in WB Animation shows like Wabbit/New Looney Tunes and Teen Titans Go!, as well as modern anime series. In some revivals of legacy of Hanna-Barbera properties such as the recent Scooby-Doo series and the 2017 Wacky Races series, the Hanna-Barbera sound effects are very rarely used, with some only showing up once or twice an episode (although Scooby-Doo and Guess Who? made heavy use of the sound effects as an intentional retro feel, along with Jellystone!.)
Anime uses them as well (most commonly in comedy series), though generally not as often as western animation. Some anime, like Love Live! Superstar!!, don't use Hanna-Barbera sound effects at all.
Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:Written by Jennifer Walden, images courtesy of HBO. Please note: Contains spoilersPlease share:More
Here, Beal and supervising sound editor Stefan Henrix discuss their pursuit and use of era-appropriate and analog sounds to help series creator Craig Mazin and director Johan Renck bring the story of Chernobyl to life.
SH: I think Hildur did an amazing job on the score. They went out to a sister plant in Lithuania to record with sound recordist Chris Watson. They recorded atmospheres, rhythmic beats and the sound of metal impacts bouncing around these huge spaces that were utilized in the music. Her score is very atmospheric and haunting, it works so well within the show.
When I was trying to work out the sound for the room, every time they cut or change the shot, there was another fan in a different location, so playing perspective without it being intrusive and annoying was interesting. On top of that, to make the location even trickier was the work that Stefan and Stuart Hilliker (re-recording mixer) did with the dialogue coming through the old Soviet PA. Popular on A Sound Effect right now - article continues below:
Containing 25 renowned World War II firearms, from the first assault rifle to pistols with designs still in use, this pack has the most important weapons of the Second World War period. With both shots and mechanical sounds, it is an absolute must for any sound design for movies and interactive media focused on mid-20th century combat.
So we made Glitter to offer a huge range of designed and source sparkling magic sound effects to your arsenal. Whether you need to complement particles effects, magical spells or any other fabulous wizardry, you can count on this minty fresh library to deliver dazzling audio, over and over again.
The Glitter sound library is built in two distinct sections: Source and Designed. The Designed section offers rich and inspiring sounds ready to be dropped in your project. The source folder includes various recordings used to create this library, should you want to wander down the path of creating your own glittering adventures.
33 years of harsh weather conditions and radiation, 33 years of silence, 33 years of hopeless expectation of human touch. PRIPYAT Pianos is a sound museum, created 33 years after a massive man-made disaster that has affected hundreds of thousands of lives. This is the mark of the elapsed time. 2ff7e9595c
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